Archive for the ‘journalism’ Category
(thanks to these guys)
Update: Fake, I believe. Apparently there’s a few edits doing the rounds of varying degrees of offensiveness).
Ireland’s Evening Herald published a hatchet job by Michael O’Doherty on Arthur and myself over Christmas. O’Doherty singled me out in particular but couldn’t work up the courage to tell his readers the real reason why. Truth is, I called them out for their shoddy journalism earlier in 2010 and he/they didnae like it! Waaaah!
Michael obviously holds a grudge, so you can expect to see my “it was our baby” quote again. It’s all the ammunition he has (this is the second time he’s trotted it out) and he needs something to write about. That ‘Model Loses Laptop’ story won’t keep paying off forever, after all.
Anyway, that’s more than enough time spent on the matter. So as to not further bore everyone with this spat, I’ll concede the floor, permanently. Michael, knock yourself out, you’re on your own.
In a piece about my “setting the record straight” on ‘Father Ted’, Ireland’s fourth-best paper The Herald manages to confuse the issue further by not mentioning the co-writer of ‘Father Ted’, Arthur Mathews, AT ALL. So any Herald reader who was labouring under any misapprehension as to the authorship of the show, now thinks I wrote it on my own.
Fine, no-one ever read the Herald to get a story straight. But instead of admitting they cocked up a very simple job, they’ve gone on the offensive with this, and got it wrong again. I’m not talking about the attempt to make Arthur’s comments on The Rose of Tralee fit Michael O’ Doherty’s narrative, desperate and pathetic though the attempt is. No, it’s this bit…
But when this conversation was recorded in the Herald this week, Linehan became peeved that the photo used was cropped so as to exclude his co-writer Mathews. Perhaps feeling that this is part of a conspiracy to deny the couple recognition, Linehan launched into a Twitter rant…
Whoah, hold it right there, Professor. He wasn’t cropped out of the picture. He wasn’t in the picture. That picture is from the night I won an Emmy for ‘The IT Crowd’. He was cropped out of the story. The tiniest bit of research would have told you that picture was taken in 2008, long after my collaboration with Artie ended. Can’t you guys get anything right? How do you all manage to find the office every day?
The original story is quite something, Michael, read it again. In a piece about “setting the record straight”, the Woodward to your Bernstein (famous journalists) managed to further confuse the issue without ever having to go over the Herald’s four-syllable limit. I do admit, that takes a special kind of skill–the kind of skill that Herald writers, and only Herald writers, possess.
But at least in this latest piece, you do mention him, so you’ve sort of accidentally set the record straight. Well done! You’ve actually done your job as a journalist! I bet you weren’t expecting that when you woke up this morning!
This all took less than three days.
Now, what was that about Twitter being ‘inconsequential’ and ‘superficial’? Hmm? HMMMMM?
(A quick correction: for some reason, the text of my Channel 4 interview has me saying “you change the NHS at your peril”, when in fact I said “you attack the NHS at your peril.”)
Peter Serafinowicz is a great user of Twitter–he’s currently assembling a YouTube Orchestra made up entirely of musicians he recruited on the site, and his tweets are silly and often hilarious–like this one “Went to the gym this morning. As I left, everyone said I was the best!”.
You realise that’s a gag, right? Course you do. Well, Time magazine didn’t! In fact, they think it’s one of the worst offenders in this piece on arrogant/obnoxious tweeting. They asked Peter for an response and he wrote an equally funny e-mail ‘explanation’, which they ALSO took at face value! Genius!
(Bonus: here’s how Peter tells it!)
Yesterday, I saw the above advert on the side of a bus, and I had to ask around to make sure I wasn’t hallucinating.
I just want to be absolutely clear here..I’m getting used to being left behind by changes in modern mores–but is this really OK with everyone? We’re all cool with the Standard using this term to describe the recent G20 clashes? Are the police and those who were injured by the police happy to have this image and slogan used? Are Londoners OK with seeing this kind of violence compared to a football match, a match we can all enjoy when it ‘kicks off’ again? (The inference being that it surely will).
But what I really want to know is whether the new editors of the Evening Standard, fresh from a campaign where they (quite rightly) apologised for being shit, are happy to sell newspapers in this way? Even though Ian Tomlinson, one of their own vendors, was fucking KILLED during this trouble? Because if they are, then their apology counts for nothing, as they obviously intend to continue to be a negative, and now inflammatory, influence on London life.
(Thanks to @badjournalism for reminding me about the Tomlinson connection.)